各种书的读后感~
ISBN：9787020168248 作者： [日]相泽沙呼 译者：孙灿 出版社： 人民文学出版社 出版时间：2021-4 阅读时间：2023.5.27 编号：491
推理小说作家和可以对罪案现场进行灵视和降灵的灵媒合作，破获各种案件的故事。设定新奇，灵媒这种作弊的技能放在侦探小说里很容易被诟病，毕竟需要逻辑推理出来的案件，直接让灵媒一看就知道凶手是谁了，那当然没了很多趣味，所以在这样的前提条件下，要怎么加入本格推理也考验剧情的安排。这一点来说个人认为作者是做得不错的，至于后面的反转，其中一部分我已经猜到了，另外没猜到的部分确实是有点惊喜，毕竟本来已经相信了地说哈哈。
这本书有电视剧，找来看看也不错。
ISBN：9787532791415 作者： ［美］布莱恩·雷 译者：孙灿 出版社： 上海译文出版社 出版时间：2023-4 阅读时间：2023.5.26 编号：490
布莱恩·雷用插画搭配少量文字的方式讲述了这么一个故事：在死神部门中，一位工作了不知道多久的死神被人事部下了通知，勒令他在接下来的一年内要休假，没有了工作的死神，想方设法填满这一年空闲的时间。他去游乐园玩，去游泳，去约会，去露营，去运动，也去倾听风的声音，大树的叹息。书名中提到的金鱼是死神在游乐场，游玩的时候获得的，也陪他去了好多地方，到最终死神回到自己工作间也把金鱼带去了。
大概这本书的主旨是让人劳逸结合吧，空闲下来可以自由分配的时间实在太赞啦。
ISBN：9787513351294 作者： 王小洋 出版社： 新星出版社 出版时间：2023-4 阅读时间：2023.5.13 编号：489
这一版本的《黑虫》是国内漫画家王小洋的漫画故事合集，包括了五篇漫画。五篇漫画的创作时间跨度比较大，最久的一篇是他少年时期画的，而同名漫画“黑虫”，为他赢得了第三届的金龙奖-故事漫画金奖
“黑虫”故事里，一种病毒肆虐全球，中学教师桑楠发现一些人的身上出现了黑色的虫子，有大有小，但是除了他之外，并没有其他人能看到，这个虫子和病毒有关吗，怎样才能摆脱它们呢？故事的前期充满了悲伤和压力，仿佛每个人都没有出路，都在社会这个熔炉中苦苦挣扎，后期的发展当然是出现了转机，可怖的并不是虫子的画面，而是故事中发生的事情，永无止境。
除了漫画书本身外，这次还赠送了两本小册子，小册子是迷你的故事，里面一篇“我的小伙伴都到哪儿去了”编绘得很好，前面悬疑后面感动，节奏和寓意都到位了哈。
这个漫画家第一次接触，故事本身是有意思的，不过作者的发展的方向有点多，演员、歌手、漫画家等等，会不会只坚持地往一个方向走会取得更多成果呢，可能作者自己也不能回答吧。
最后看看作者的签绘~
ISBN：9787501618781 作者： [德]艾里希·海涅曼 / [德]弗里茨·鲍姆加藤 绘 译者： 李蕊 出版社： 人民文学出版社 天天出版社 出版时间：2022-9 阅读时间：2023.5.10 编号：488
上一本我看的书籍是《大森林里的小木屋》这一本是《森林精灵的小幸运》两本书都含有森林的元素，这算是巧合吗？哈哈。
本书包含四个童话故事，分别是“小七星”、“精灵屯”、“阳光小旅馆”和“马勒朋克花园联盟”。故事发生的地点都在森林田野等这些自然环境中，主角们是各式各样的小动物：小老鼠、精灵、昆虫、小鸟等。故事讲述者是人类，这些故事的内容都是他在花园中在森林里不经意听到周边的小生灵叙说的，于是他就把这些动物的经历记录下来了。 每一篇故事都带有童话性质的奇幻色彩，里面有勤劳勇敢的角色，有乐善好施的善良角色，也有或偷懒或蛮横的反派角色，有遭遇困境，受人救助的情节，有大家联手把坏人赶跑的情节，也有角色间互相理解最后化干戈为玉帛的情节，上演着一幕幕可爱又生动的剧场。无论是温暖的阳光还是凛冽的冬日，小生灵们就在那片土地生养生息，看着看着就会陷入幻想中：说不定在这个世界上的某个角落里的确存在着书中所叙说的现实～ 童话故事搭配上匹配的插图，效果就不仅仅是1+1等于2了，虽然说插图能够看得出来有一点年代的痕迹，但是这完全也不损其为故事增添的魅力，动物形象都活灵活现，浓烈的色彩搭配和我之前看的上一本《大森林里的小木屋》里浅淡的水彩风格完全不一样，鲜活的生动的森林精灵的生活想必也是插画里描述的那样一般无二吧。
插图赏析~
ISBN：9787559815415 原作名：Little House in the Big Woods 作者：[美] 劳拉·英格斯·怀德 著 / [日] 安野光雅 绘 译者：马爱农 出版社： 广西师范大学出版社 出版时间：2019-6 阅读时间：2023.5.7 编号：487
外国版本的种田文~主角一家五口——爸爸妈妈姐姐妹妹还有小婴儿住在森林的小木屋中，历经春夏秋冬，靠着牧场和农场还有森林打猎所得维持生活。父亲干农活，出外打猎，晚上回到家给小孩子讲故事，拉小提琴；母亲料理家庭，煮饭，做各种农产品，照顾孩子；而孩子们在自由玩耍的同时也帮着父母亲做力所能及的事务，一家人互相扶持互相照顾。和城市的生活不同，他们的生活简朴充实，有活力也有无尽的爱。 这个版本，除了有故事，最大的卖点就是配图。安野光雅的插画我应该是第一次接触，我好喜欢他的水彩画呀，寥寥几笔人物物件形象生动，而且用色淡雅舒缓，每每看到书中大型的跨页插图，都感觉那个景象朝着我铺面而来，超级美的呀！
ISBN：9781119751359 作者：Virginia Woolf 出版社： Capstone 出版时间：2021 阅读时间：2023.4.1~4.20 编号：486
终于读完了，这本书是参加共读以来最难阅读的英文书，靠着中文译本终于磕磕巴巴地把英文看下来了哈哈哈。 书里提到的很多对女性本身，对女性写作的偏见到现在还是存在，在艰难的社会中生存的女性更为艰难。随着女性意识的觉醒，平权意识的觉醒，千鹤子所说的“弱者也能得到平等对待的社会”，会来吗？
预计阅读：p1-13 实际阅读：引言 难忘的表述： 1. Woolf’s essay proceeds to explain: the ‘room’ is not a minor detail, but foundational for women’s financial and social independence, and essential for the female writer.(vii) 2. Woolf’s observation of women as a kind of underclass, in which their work is not recompensed at the same rate as work by men, still holds relevance in relation to today’s gender pay gaps…（ix） 3. Under this social structure, men occupied the public sphere while women were confined to the private. They were expected to serve the interests of their home and family rather than their individual needs or desires. (xi) 4. The room and the money are the ideal, we come to see, but even without them the woman writer has a duty to write, think, and work, in anticipation of a future for her daughters to come.(xxi)
感想：开始阅读啦，引言部分也挺难啃的。 提交人：一只桃纸
#20230402打卡 预计阅读：p1-13 实际阅读：p1-9 难忘的表述： 1. A woman must have money and a room of her own if she is to write fiction.(p4) 2. At any rate, when a subject is highly controversial – and any question about sex is that – one cannot hope to tell the truth.(p4) 3. Lies will flow from my lips, but there may perhaps be some truth mixed up with them; it is for you to seek out this truth and to decide whether any part of it is worth keeping.(p5) 4. …because of that wild flash of imagination, that lightning crack of genius in the middle of them which leaves hem flawed and imperfect, but starred with poetry.(p8)
感想：我错了，正文也不简单哈哈哈，不过好多句子好美呀。“女性与文学”联想到“一件自己的房间”，也是牛的。 提交人：一只桃纸
#20230403打卡 预计阅读：p9-15 实际阅读：p9-14 难忘的表述： No need to hurry. No need to sparkle. No need to be anybody but oneself.(p14)
提交人：一只桃纸
#20230404打卡 预计阅读：p15-20 实际阅读：p15-25 难忘的表述： 1. Certainly it was a shock to see the faces of our rulers in the light of the shell-fire.(p19) 2. Fiction must stick to facts, and the truer the facts the better the fiction – so we are told.(p20) 3. One cannot think well, love well, sleep well, if one has not dined well.(p24) 4. The best course, unless the whole talk was to be distorted, was to expose what was in my mind to the air…（p25）
提交人：一只桃纸
#20230405打卡 预计阅读：p26-36 实际阅读：p26-33 难忘的表述： 1. People say, too, that human nature takes its shape in the years between one and five.(p29) 2. … Thinking of the safety and prosperity of the one sex and of the poverty and insecurity of the other and of the effect of tradition, and of the lack of tradition upon the mind of a writer…（p32） 3. One seemed alone with an inscrutable society.（p32）
提交人：一只桃纸
#20230406打卡 预计阅读：34-40 实际阅读：34-42 难忘的表述： one must strain off what was personal and accidental in all these impressions and so reach the pure fluid, the essential oil of truth.（p37） 提交人：一只桃纸
提交人：一只桃纸
#20230407打卡 预计阅读：43-53 实际阅读：43-52 难忘的表述： 1. Yet it is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.(p46) 2. They had been written in the ted light of emotion and not in the white light of truth.(p47) 3. The most transient visitor to this planet, I thought, who picked up this paper could not fail to be aware, even from this scattered testimony, that England is under the rule of a patriarchy.(p48) 4. Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority – it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney…（p50) 5. Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size.(p51) 感想：要证明自己优秀，“快速而有效”的方式，就是打压他人。在父权社会中，男性通过打压和贬低女性获得男性的天然优越感和自信。 提交人：一只桃纸
#20230408打卡 预计阅读：53-60 实际阅读：53-56 难忘的表述： 1. There was another ten-shilling note in my purse; I noticed it, because it is a fact that still takes my breath away the power of my purse to breed ten-shilling notes automatically.(p53)(哈哈，我也想要有自动生钱的钱包） 2. To begin with, always to be doing work that one did not wish to do, and to do it like a slave, flattering and fawning, not always necessarily perhaps, but it seemed necessary and the stakes were too great to run risks;(p54)(刚开始工作如奴隶一般…） 3. Indeed my aunt’s legacy unveiled the sky to me, and substituted for the large and imposing figure of a gentleman, which Milton recommended for my perpetual adoration, a view of the open sky.(p56)(有钱可自立，不需依靠他人，天地更广阔） 提交人：一只桃纸
#20230409打卡 预计阅读：57-67 实际阅读：57-66 难忘的表述： 1. Even if one could state the value of any one gift at the moment, those values will change; in a century’s time very possibly they will have changed completely.(p58) 2. fiction is like a spider’s wed, attached ever so lightly perhaps, but still attached to life at all four corners.(p61) 3. Imaginatively she is of the highest importance; practically she is completely insignificant.(p64) 4. But by no possible means could middle-class women with nothing but brains and character at their command have taken part in any one of the great movements which, brought together, constitute the historian’s view of the past.(p66) 感想：女性在历史中的缺席证明了女性地位的低下。荒谬的是，在虚构的文学、戏剧作品之中，女性足以和男性平起平坐，而现实却远远不是这样的。 提交人：一只桃纸
#20230410打卡 预计阅读：68-78 实际阅读：68-75 难忘的表述： 1. It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.(p68) 2. She was as adventurous, as imaginative, as agog to see the world as he was. But she was not sent to school. She had no chance of learning grammar and logic…(p69) 3. How, then, could it have been born among women whose work began, according to Professor Trevelyan, almost before they were out of the nursery, who were forced to it by their parents and held to it by all the power of law and custom?(p71)（没有公平的受教育机会，又怎能诞生好作家呢） 4. …for chastity may be a fetish invented by certain societies for unknown reasons – but were none the less inevitable. Chastity had then, it has even now, a religious importance in woman’s life, and has so wrapped itself round with nerves and instincts that to cut it free and bring it to the light of day demands courage of the rarest.(p73)（贞洁思想害人不浅，是男性、宗教控制女性的手段之一） 提交人：一只桃纸
#20230411打卡 预计阅读：76-80 实际阅读：76-78 难忘的表述： 1. The wold did not say to her as it said to them…(p76) 2. And happily in this age of biography the tow pictures often do complete each other, so that we are able to interpret the opinions of great men not only by what they say, but by what they do.(p78) 3. …there was an enormous body of masculine opinion to the effect that nothing could be expected of women intellectually.(p78) 感想：受到不同等的对待，资源的严重倾斜下，女性的发展不如男性是当然的。以此得出女性不如男性的结论，可能就是这些男性的妄想吧。 提交人：一只桃纸
#20230412打卡 预计阅读：79-89 实际阅读：79-83 难忘的表述： 1. There would always have been that assertion – you cannot do this, you are incapable of doing that – to protest against, to overcome.(p79) 2. So accurately does history repeat itself.(p79) 3. Unfortunately, it is precisely the men or women of genius who mind most what is said of them.(p81） 4. …because the mind of an artist, in order to achieve the prodigious effort of freeing whole and entire the work that is in him, must be incandescent, like Shakespeare’s mind…(p82) 提交人：一只桃纸
#20230413打卡 预计阅读：84-93 实际阅读：84-91 难忘的表述： 1. One would expect to find a lady of title meeting with far greater encouragement than an unknown Miss Austen or a Miss Brontë at that time would have met with.(p87) 2. It was a thousand pities that the woman who could write like that, whose mind was tuned to nature and reflection, should have been forced to anger and bitterness.(p90） 提交人：一只桃纸
#20230414打卡 预计阅读：92-100 实际阅读：92-99 难忘的表述： 1. She made, by working very hard, enough to live on. The importance of that fact outweighs anything that she actually wrote…(p95) 2. Money dignifies what is frivolous if unpaid for.(p96) 3. For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.(p97) 提交人：一只桃纸
#20230415打卡 预计阅读：100-110 实际阅读：100-104 难忘的表述： 1. At any rate, one would not have been ashamed to have been caught in the act of writing Pride and Prejudice.(p100) 2. …but women feel just as men feel; they need exercise for their faculties and a field for their efforts as much as their brothers do;(p102) 3. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex.(p103)
提交人：一只桃纸
#20230416打卡 预计阅读：105-115 实际阅读：105-116 难忘的表述： 1. What one means by integrity, in the case of the novelist, is the conviction that he gives one that this is the truth.(p106) 2. They(Jane Austen&Emily Brontë) wrote as women write, not as men write. Of all the thousand women who wrote novels then, they alone entirely ignored the perpetual admonitions of the eternal pedagogue – write this, think that.(p110) 3. Lock up your libraries if you like; but there is no gate, no lock, no bolt, that you can set upon the freedom of my mind.(p112) 4. I will only pause here one moment to draw your attention to the great part which must be played in that future so far as women are concerned by physical conditions.(p114)
提交人：一只桃纸
#20230417打卡 预计阅读：117-127 实际阅读：117-125 难忘的表述： 1. Reading and criticism may have given her a wider range, a greater subtlety. The impulse towards autobiography may be spent. She may be beginning to use writing as an art, not as a method of self-expression.(p119) 2. It was strange to think that all the great women of fiction were, until Jane Austen’s day, not only seen by the other sex, but seen only in relation to the other sex.(p123) 3. Even so it remains obvious, even in the writing of Proust, that a man is terribly hampered and partial in his knowledge of women, as a woman in her knowledge of men.(p124) 4. …if she has a room to herself…if she has five hundred a year of her own…then I think that something of great importance has happened.(p125)
提交人：一只桃纸
#20230418 预计阅读：126-136 实际阅读：126-132 难忘的表述： 1. And I watched too, very curiously. For I wanted to see how Mary Carmichael set to work to catch those unrecorded gestures, those unsaid or half-said words, which form themselves, no more palpably than the shadows of moths on the ceiling, when women are alone, unlit by the capricious and colored light of the other sex.(p126) 2. There is no mark on the wall to measure the precise height of women. There are no yard measures, neatly divided into the fractions of an inch, that one can lay against the qualities of a good mother or the devotion of a daughter, or the fidelity of a sister, or the capacity of a housekeeper.(p127) 3. For we have too much likeness as it is, and if an explorer should come back and bring word of other sexes looking through the branches of other trees at other skies, nothing would be of greater service to humanity;(p131)
提交人：一只桃纸
#20230419 预计阅读：133-143 实际阅读：133-140 难忘的表述： 1. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie.(p133) 2. For there is a spot the size of a shilling at the back of the head which one can never see for oneself. It is one of the good offices that sex can discharge for sex – to describe that spot the size of a shilling at the back of the head.(p134) 3. she wrote as a woman, but as a woman who has forgotten that she is a woman, so that her pages were full of that curious sexual quality which comes only when sex is unconscious of itself.(p138)
提交人：一只桃纸
#20230420打卡 预计阅读：p140-150 实际阅读：p140-155 难忘的表述： 1. The mind is certainly a very mysterious organ, I reflected, drawing my head in from the window, about which nothing whatever is known, though we depend upon it so completely.(p145) 2. He is protesting against the equality of the other sex by asserting his own superiority.(p151) 3. And when a book lacks suggestive power, however hard it hits the surface of the mind it cannot penetrate within.(p153) 4. …much of what I have said in obedience to my promise to give you the course of my thoughts will seem out of date; much of what flames in my eyes will seem dubious to you who have not yet come of age.(p155) 提交人：一只桃纸
#20230421 预计阅读：156-166 实际阅读：读完 难忘的表述：(见下图） 提交人：一只桃纸 1. It may seem a brutal thing to say, and it is a sad thing to say: but, as a matter of hard fact, the theory that poetical genius bloweth where it listeth, and equally in poor and rich, holds little truth.(p159) 2. Intellectual freedom depends upon material things. Poetry depends upon intellectual freedom. And women have always been poor, not for two hundred years merely, but from the beginning of time. Women have had less intellectual freedom than the sons of Athenian slaves.(p160) 3. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream.(p162) 4. So that when I ask you to earn money and have a room of your own, I am asking you to live in the presence of reality, an invigorating life, it would appear, whether one can impart it or not.(p164) 5. I should implore you to remember your responsibilities, to be higher, more spiritual; I should remind, you how much depends upon you, and what an influence you can exert upon the future.(p164) 6. I find myself saying briefly and prosaically that it is much more important to be oneself than anything else. Do not dream of influencing other people, I would say, if I knew how to make it sound exalted. Think of things in themselves.(p164) 7. When you reflect upon these immense privileges and the length of time during which they have been enjoyed, and the fact that there must be at this moment some two thousand women capable of earning over five hundred a year in one way or another, you will agree that the excuse of lack of opportunity, training, encouragement, leisure and money no longer holds good.(p167)
提交人：一只桃纸
ISBN：9787513351171 原作名：霧に溶ける 作者：[日] 笹泽左保 译者：飞翔 出版社： 新星出版社 出版时间：2023-2 阅读时间：2023.3.21-3.22 编号：485
在名为“白领小姐”的选美比赛进入尾声，选出五强的时候，其中一人出车祸重伤，另外三人接连身死，剩下的一个人被警方当成了嫌疑犯，案件的真相出人意料。
作为六十年前的小说，现在看来也不算落后，虽然诡计比较简单，但是凶手的设置也是开创先河，剧情顺滑，人物嘛，有点三观不正（不过可能和日本的文化有关？），总体值得一看。
ISBN：9787571516833 绘画：田鹏 田宇 出版社： 云南出版集团 晨光出版社 出版时间：2023-2 阅读时间：2023.3.21 编号：484
“从前有座山”是中国小孩耳熟能详的一个小童谣，也可以说是一个小故事。全文只有四句——从前有座山，山上有座庙，庙里有两个和尚在讲故事，他们讲的是……然后就不断的重复，所以可以说全文只有四句，也可以说全文有无数句，因为这是生生不息，循环不止的故事。虽然简单，但是小孩就是会被这种简单的小把戏吸引，发出笑声。
这本绘本田鹏和田宇父子两人绘画而成的，整体故事就是这个从前有座山，他们巧妙地把这个循环的故事与一年四季的循环结合起来，绘本从前有座山的故事重复了四次，随着不断地重复，山里的景色也从银装素裹的冬季，转到万物复苏的春季，然后是生机盎然的夏季还有收获满满的秋季。四季山水画和从前有座山的小故事互相增色，故事给画面增添了趣味，而画面又给故事增加了底色。
从山到庙，从庙到人，从人到故事，画面不断拉近，给阅读者一种被拉近故事中的感觉。淡定能干的老和尚，天真调皮的小和尚，还有可爱的猫猫和偶然出现的小狐狸，景物相融，看着就能让人微微笑。
ISBN：9787544878227 作者：[德]多罗·戈贝尔 [德]彼得·克诺尔 译者：金贤玲 出版社： 接力出版社 出版时间：2022-9 阅读时间：2023.3.9 编号：483
德国出版的无字大开本绘本，一套共七本。每本的主角都是“好忙好忙小镇”的居民，他们的日常生活，建造房屋，观看马戏团表演，出去郊游航海等等，都被一页页内容丰富的图画记录下来。 每本绘本都有一个不同的主题，一本有七页，每页摊开的画面约A3纸大小，图中的元素丰富，人，动物，景物以及他们之间的互动，能在每本的页面中串联起来。
个人很喜欢这种大图景中充满细节的图书，除了这一套外，还有“威尔在哪里”以及 “大侦探皮埃尔”等，虽说这些书出版的初衷是为了锻炼小朋友的认知能力以及提高注意力，但我这个大朋友也看得异常开心，非常满足哈哈。
《来啦！马戏团》 马戏团来小镇啦，带着一大批的动物——大象、骆驼、熊、山羊等等，场面非常热闹！其中，一只小苗误入了营地，还爬到高处去了！主人带着的哈巴狗也挣脱了控制，不知哪儿去；表演现场非常火爆，也有小偷在虎视眈眈……
我们看看走失的哈巴狗~~
ISBN：9787559650412 作者：[捷克]皮特·丹克 著 [捷克] 阿道夫·泽布兰斯基 绘 译者：徐伟珠 出版社： 北京联合出版公司&乐府文化 出品方: 乐府文化 出版时间：2022-3 阅读时间：2023.3.6 编号：482
在1950年出版的捷克带插画的童谣，翻阅之下乡土气息扑面而来，猫猫狗狗，山羊奶牛，小老鼠小蚂蚁等等，有着人格化的思想，活得悠闲舒适，趣味盎然。插画家用彩粉和蜡笔，勾勒出了简朴有生机的乡村，和灵活有爱的动物们，每一幅画里都藏着画家对它们的浓浓爱意。
