星星栖息地

各种书的读后感~

Virginia Woolf

p9AJPht.jpg

ISBN:9780857088826 作者:Virginia Woolf 出版社: Capstone 出版时间:2021 阅读时间:2023.4.1~4.20 编号:486

终于读完了,这本书是参加共读以来最难阅读的英文书,靠着中文译本终于磕磕巴巴地把英文看下来了哈哈哈。 书里提到的很多对女性本身,对女性写作的偏见到现在还是存在,在艰难的社会中生存的女性更为艰难。随着女性意识的觉醒,平权意识的觉醒,千鹤子所说的“弱者也能得到平等对待的社会”,会来吗?

阅读打卡记录

#20230401打卡

预计阅读:p1-13 实际阅读:引言 难忘的表述: 1. Woolf’s essay proceeds to explain: the ‘room’ is not a minor detail, but foundational for women’s financial and social independence, and essential for the female writer.(vii) 2. Woolf’s observation of women as a kind of underclass, in which their work is not recompensed at the same rate as work by men, still holds relevance in relation to today’s gender pay gaps…(ix) 3. Under this social structure, men occupied the public sphere while women were confined to the private. They were expected to serve the interests of their home and family rather than their individual needs or desires. (xi) 4. The room and the money are the ideal, we come to see, but even without them the woman writer has a duty to write, think, and work, in anticipation of a future for her daughters to come.(xxi)

感想:开始阅读啦,引言部分也挺难啃的。 提交人:一只桃纸

#20230402打卡 预计阅读:p1-13 实际阅读:p1-9 难忘的表述: 1. A woman must have money and a room of her own if she is to write fiction.(p4) 2. At any rate, when a subject is highly controversial – and any question about sex is that – one cannot hope to tell the truth.(p4) 3. Lies will flow from my lips, but there may perhaps be some truth mixed up with them; it is for you to seek out this truth and to decide whether any part of it is worth keeping.(p5) 4. …because of that wild flash of imagination, that lightning crack of genius in the middle of them which leaves hem flawed and imperfect, but starred with poetry.(p8)

感想:我错了,正文也不简单哈哈哈,不过好多句子好美呀。“女性与文学”联想到“一件自己的房间”,也是牛的。 提交人:一只桃纸

#20230403打卡 预计阅读:p9-15 实际阅读:p9-14 难忘的表述: No need to hurry. No need to sparkle. No need to be anybody but oneself.(p14)

提交人:一只桃纸

#20230404打卡 预计阅读:p15-20 实际阅读:p15-25 难忘的表述: 1. Certainly it was a shock to see the faces of our rulers in the light of the shell-fire.(p19) 2. Fiction must stick to facts, and the truer the facts the better the fiction – so we are told.(p20) 3. One cannot think well, love well, sleep well, if one has not dined well.(p24) 4. The best course, unless the whole talk was to be distorted, was to expose what was in my mind to the air…(p25)

提交人:一只桃纸

#20230405打卡 预计阅读:p26-36 实际阅读:p26-33 难忘的表述: 1. People say, too, that human nature takes its shape in the years between one and five.(p29) 2. … Thinking of the safety and prosperity of the one sex and of the poverty and insecurity of the other and of the effect of tradition, and of the lack of tradition upon the mind of a writer…(p32) 3. One seemed alone with an inscrutable society.(p32)

提交人:一只桃纸

#20230406打卡 预计阅读:34-40 实际阅读:34-42 难忘的表述: one must strain off what was personal and accidental in all these impressions and so reach the pure fluid, the essential oil of truth.(p37) 提交人:一只桃纸

提交人:一只桃纸

#20230407打卡 预计阅读:43-53 实际阅读:43-52 难忘的表述: 1. Yet it is in our idleness, in our dreams, that the submerged truth sometimes comes to the top.(p46) 2. They had been written in the ted light of emotion and not in the white light of truth.(p47) 3. The most transient visitor to this planet, I thought, who picked up this paper could not fail to be aware, even from this scattered testimony, that England is under the rule of a patriarchy.(p48) 4. Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority – it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney…(p50) 5. Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size.(p51) 感想:要证明自己优秀,“快速而有效”的方式,就是打压他人。在父权社会中,男性通过打压和贬低女性获得男性的天然优越感和自信。 提交人:一只桃纸

#20230408打卡 预计阅读:53-60 实际阅读:53-56 难忘的表述: 1. There was another ten-shilling note in my purse; I noticed it, because it is a fact that still takes my breath away the power of my purse to breed ten-shilling notes automatically.(p53)(哈哈,我也想要有自动生钱的钱包) 2. To begin with, always to be doing work that one did not wish to do, and to do it like a slave, flattering and fawning, not always necessarily perhaps, but it seemed necessary and the stakes were too great to run risks;(p54)(刚开始工作如奴隶一般…) 3. Indeed my aunt’s legacy unveiled the sky to me, and substituted for the large and imposing figure of a gentleman, which Milton recommended for my perpetual adoration, a view of the open sky.(p56)(有钱可自立,不需依靠他人,天地更广阔) 提交人:一只桃纸

#20230409打卡 预计阅读:57-67 实际阅读:57-66 难忘的表述: 1. Even if one could state the value of any one gift at the moment, those values will change; in a century’s time very possibly they will have changed completely.(p58) 2. fiction is like a spider’s wed, attached ever so lightly perhaps, but still attached to life at all four corners.(p61) 3. Imaginatively she is of the highest importance; practically she is completely insignificant.(p64) 4. But by no possible means could middle-class women with nothing but brains and character at their command have taken part in any one of the great movements which, brought together, constitute the historian’s view of the past.(p66) 感想:女性在历史中的缺席证明了女性地位的低下。荒谬的是,在虚构的文学、戏剧作品之中,女性足以和男性平起平坐,而现实却远远不是这样的。 提交人:一只桃纸

#20230410打卡 预计阅读:68-78 实际阅读:68-75 难忘的表述: 1. It would have been impossible, completely and entirely, for any woman to have written the plays of Shakespeare in the age of Shakespeare.(p68) 2. She was as adventurous, as imaginative, as agog to see the world as he was. But she was not sent to school. She had no chance of learning grammar and logic…(p69) 3. How, then, could it have been born among women whose work began, according to Professor Trevelyan, almost before they were out of the nursery, who were forced to it by their parents and held to it by all the power of law and custom?(p71)(没有公平的受教育机会,又怎能诞生好作家呢) 4. …for chastity may be a fetish invented by certain societies for unknown reasons – but were none the less inevitable. Chastity had then, it has even now, a religious importance in woman’s life, and has so wrapped itself round with nerves and instincts that to cut it free and bring it to the light of day demands courage of the rarest.(p73)(贞洁思想害人不浅,是男性、宗教控制女性的手段之一) 提交人:一只桃纸

#20230411打卡 预计阅读:76-80 实际阅读:76-78 难忘的表述: 1. The wold did not say to her as it said to them…(p76) 2. And happily in this age of biography the tow pictures often do complete each other, so that we are able to interpret the opinions of great men not only by what they say, but by what they do.(p78) 3. …there was an enormous body of masculine opinion to the effect that nothing could be expected of women intellectually.(p78) 感想:受到不同等的对待,资源的严重倾斜下,女性的发展不如男性是当然的。以此得出女性不如男性的结论,可能就是这些男性的妄想吧。 提交人:一只桃纸

#20230412打卡 预计阅读:79-89 实际阅读:79-83 难忘的表述: 1. There would always have been that assertion – you cannot do this, you are incapable of doing that – to protest against, to overcome.(p79) 2. So accurately does history repeat itself.(p79) 3. Unfortunately, it is precisely the men or women of genius who mind most what is said of them.(p81) 4. …because the mind of an artist, in order to achieve the prodigious effort of freeing whole and entire the work that is in him, must be incandescent, like Shakespeare’s mind…(p82) 提交人:一只桃纸

#20230413打卡 预计阅读:84-93 实际阅读:84-91 难忘的表述: 1. One would expect to find a lady of title meeting with far greater encouragement than an unknown Miss Austen or a Miss Brontë at that time would have met with.(p87) 2. It was a thousand pities that the woman who could write like that, whose mind was tuned to nature and reflection, should have been forced to anger and bitterness.(p90) 提交人:一只桃纸

#20230414打卡 预计阅读:92-100 实际阅读:92-99 难忘的表述: 1. She made, by working very hard, enough to live on. The importance of that fact outweighs anything that she actually wrote…(p95) 2. Money dignifies what is frivolous if unpaid for.(p96) 3. For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.(p97) 提交人:一只桃纸

#20230415打卡 预计阅读:100-110 实际阅读:100-104 难忘的表述: 1. At any rate, one would not have been ashamed to have been caught in the act of writing Pride and Prejudice.(p100) 2. …but women feel just as men feel; they need exercise for their faculties and a field for their efforts as much as their brothers do;(p102) 3. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex.(p103)

提交人:一只桃纸

#20230416打卡 预计阅读:105-115 实际阅读:105-116 难忘的表述: 1. What one means by integrity, in the case of the novelist, is the conviction that he gives one that this is the truth.(p106) 2. They(Jane Austen&Emily Brontë) wrote as women write, not as men write. Of all the thousand women who wrote novels then, they alone entirely ignored the perpetual admonitions of the eternal pedagogue – write this, think that.(p110) 3. Lock up your libraries if you like; but there is no gate, no lock, no bolt, that you can set upon the freedom of my mind.(p112) 4. I will only pause here one moment to draw your attention to the great part which must be played in that future so far as women are concerned by physical conditions.(p114)

提交人:一只桃纸

#20230417打卡 预计阅读:117-127 实际阅读:117-125 难忘的表述: 1. Reading and criticism may have given her a wider range, a greater subtlety. The impulse towards autobiography may be spent. She may be beginning to use writing as an art, not as a method of self-expression.(p119) 2. It was strange to think that all the great women of fiction were, until Jane Austen’s day, not only seen by the other sex, but seen only in relation to the other sex.(p123) 3. Even so it remains obvious, even in the writing of Proust, that a man is terribly hampered and partial in his knowledge of women, as a woman in her knowledge of men.(p124) 4. …if she has a room to herself…if she has five hundred a year of her own…then I think that something of great importance has happened.(p125)

提交人:一只桃纸

#20230418 预计阅读:126-136 实际阅读:126-132 难忘的表述: 1. And I watched too, very curiously. For I wanted to see how Mary Carmichael set to work to catch those unrecorded gestures, those unsaid or half-said words, which form themselves, no more palpably than the shadows of moths on the ceiling, when women are alone, unlit by the capricious and colored light of the other sex.(p126) 2. There is no mark on the wall to measure the precise height of women. There are no yard measures, neatly divided into the fractions of an inch, that one can lay against the qualities of a good mother or the devotion of a daughter, or the fidelity of a sister, or the capacity of a housekeeper.(p127) 3. For we have too much likeness as it is, and if an explorer should come back and bring word of other sexes looking through the branches of other trees at other skies, nothing would be of greater service to humanity;(p131)

提交人:一只桃纸

#20230419 预计阅读:133-143 实际阅读:133-140 难忘的表述: 1. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie.(p133) 2. For there is a spot the size of a shilling at the back of the head which one can never see for oneself. It is one of the good offices that sex can discharge for sex – to describe that spot the size of a shilling at the back of the head.(p134) 3. she wrote as a woman, but as a woman who has forgotten that she is a woman, so that her pages were full of that curious sexual quality which comes only when sex is unconscious of itself.(p138)

提交人:一只桃纸

#20230420打卡 预计阅读:p140-150 实际阅读:p140-155 难忘的表述: 1. The mind is certainly a very mysterious organ, I reflected, drawing my head in from the window, about which nothing whatever is known, though we depend upon it so completely.(p145) 2. He is protesting against the equality of the other sex by asserting his own superiority.(p151) 3. And when a book lacks suggestive power, however hard it hits the surface of the mind it cannot penetrate within.(p153) 4. …much of what I have said in obedience to my promise to give you the course of my thoughts will seem out of date; much of what flames in my eyes will seem dubious to you who have not yet come of age.(p155) 提交人:一只桃纸

#20230421 预计阅读:156-166 实际阅读:读完 难忘的表述:(见下图) 提交人:一只桃纸 1. It may seem a brutal thing to say, and it is a sad thing to say: but, as a matter of hard fact, the theory that poetical genius bloweth where it listeth, and equally in poor and rich, holds little truth.(p159) 2. Intellectual freedom depends upon material things. Poetry depends upon intellectual freedom. And women have always been poor, not for two hundred years merely, but from the beginning of time. Women have had less intellectual freedom than the sons of Athenian slaves.(p160) 3. By hook or by crook, I hope that you will possess yourselves of money enough to travel and to idle, to contemplate the future or the past of the world, to dream over books and loiter at street corners and let the line of thought dip deep into the stream.(p162) 4. So that when I ask you to earn money and have a room of your own, I am asking you to live in the presence of reality, an invigorating life, it would appear, whether one can impart it or not.(p164) 5. I should implore you to remember your responsibilities, to be higher, more spiritual; I should remind, you how much depends upon you, and what an influence you can exert upon the future.(p164) 6. I find myself saying briefly and prosaically that it is much more important to be oneself than anything else. Do not dream of influencing other people, I would say, if I knew how to make it sound exalted. Think of things in themselves.(p164) 7. When you reflect upon these immense privileges and the length of time during which they have been enjoyed, and the fact that there must be at this moment some two thousand women capable of earning over five hundred a year in one way or another, you will agree that the excuse of lack of opportunity, training, encouragement, leisure and money no longer holds good.(p167)

提交人:一只桃纸

[日] 笹泽左保

ppafuxU.jpg

ISBN:9787513351171 原作名:霧に溶ける 作者:[日] 笹泽左保 译者:飞翔 出版社: 新星出版社 出版时间:2023-2 阅读时间:2023.3.21-3.22 编号:485

在名为“白领小姐”的选美比赛进入尾声,选出五强的时候,其中一人出车祸重伤,另外三人接连身死,剩下的一个人被警方当成了嫌疑犯,案件的真相出人意料。

作为六十年前的小说,现在看来也不算落后,虽然诡计比较简单,但是凶手的设置也是开创先河,剧情顺滑,人物嘛,有点三观不正(不过可能和日本的文化有关?),总体值得一看。

阅读笔记(涉及剧透!!)

ppahAyD.jpg

田鹏 田宇

ppU76qU.jpg

ISBN:9787571516833 绘画:田鹏 田宇 出版社: 云南出版集团 晨光出版社 出版时间:2023-2 阅读时间:2023.3.21 编号:484

“从前有座山”是中国小孩耳熟能详的一个小童谣,也可以说是一个小故事。全文只有四句——从前有座山,山上有座庙,庙里有两个和尚在讲故事,他们讲的是……然后就不断的重复,所以可以说全文只有四句,也可以说全文有无数句,因为这是生生不息,循环不止的故事。虽然简单,但是小孩就是会被这种简单的小把戏吸引,发出笑声。

这本绘本田鹏和田宇父子两人绘画而成的,整体故事就是这个从前有座山,他们巧妙地把这个循环的故事与一年四季的循环结合起来,绘本从前有座山的故事重复了四次,随着不断地重复,山里的景色也从银装素裹的冬季,转到万物复苏的春季,然后是生机盎然的夏季还有收获满满的秋季。四季山水画和从前有座山的小故事互相增色,故事给画面增添了趣味,而画面又给故事增加了底色。

从山到庙,从庙到人,从人到故事,画面不断拉近,给阅读者一种被拉近故事中的感觉。淡定能干的老和尚,天真调皮的小和尚,还有可爱的猫猫和偶然出现的小狐狸,景物相融,看着就能让人微微笑。

ppU7RIJ.jpg

ppU7gZF.jpg

ppU72a4.jpg

[德]多罗·戈贝尔 [德]彼得·克诺尔

ppnSXxH.jpg

ISBN:9787544878227 作者:[德]多罗·戈贝尔 [德]彼得·克诺尔 译者:金贤玲 出版社: 接力出版社 出版时间:2022-9 阅读时间:2023.3.9 编号:483

德国出版的无字大开本绘本,一套共七本。每本的主角都是“好忙好忙小镇”的居民,他们的日常生活,建造房屋,观看马戏团表演,出去郊游航海等等,都被一页页内容丰富的图画记录下来。 每本绘本都有一个不同的主题,一本有七页,每页摊开的画面约A3纸大小,图中的元素丰富,人,动物,景物以及他们之间的互动,能在每本的页面中串联起来。

个人很喜欢这种大图景中充满细节的图书,除了这一套外,还有“威尔在哪里”以及 “大侦探皮埃尔”等,虽说这些书出版的初衷是为了锻炼小朋友的认知能力以及提高注意力,但我这个大朋友也看得异常开心,非常满足哈哈。


《来啦!马戏团》 马戏团来小镇啦,带着一大批的动物——大象、骆驼、熊、山羊等等,场面非常热闹!其中,一只小苗误入了营地,还爬到高处去了!主人带着的哈巴狗也挣脱了控制,不知哪儿去;表演现场非常火爆,也有小偷在虎视眈眈……

我们看看走失的哈巴狗~~

ppnP0YV.jpg

ppnPwF0.jpg

ppnPYLj.jpg

ppnPJyQ.jpg

ppnPNes.jpg

ppnPUwn.jpg

ppnPaoq.jpg

[捷克]皮特·丹克 著 [捷克] 阿道夫·泽布兰斯基 绘

ppV7AfK.jpg

ISBN:9787559650412 作者:[捷克]皮特·丹克 著 [捷克] 阿道夫·泽布兰斯基 绘 译者:徐伟珠 出版社: 北京联合出版公司&乐府文化 出品方: 乐府文化 出版时间:2022-3 阅读时间:2023.3.6 编号:482

在1950年出版的捷克带插画的童谣,翻阅之下乡土气息扑面而来,猫猫狗狗,山羊奶牛,小老鼠小蚂蚁等等,有着人格化的思想,活得悠闲舒适,趣味盎然。插画家用彩粉和蜡笔,勾勒出了简朴有生机的乡村,和灵活有爱的动物们,每一幅画里都藏着画家对它们的浓浓爱意。

ppV7spT.jpg

ppV7d7n.jpg

ppV70kq.jpg

ppV7DhV.jpg

ppV7Bt0.jpg

ppV76cF.jpg

ppV7cX4.jpg

ppV7y1U.jpg

王梆

ppVsqmD.jpg

ISBN:9787532182480 作者:王梆 出版社: 上海文艺出版社 出品方: 单读 / 铸刻文化 出版时间:2022-4 阅读时间:2023.3.6 编号:481

本书是独立记者王梆在英国生活观察后写成的多篇文章的合集,从英国经济状况人民生活,福利制度,党派争斗聊到英国历史,包括权威下的儿童、妇女文化和猎巫暴行等问题,带着第三方和在地之人的双重身份的观察和思考,既有理性中立,也有热切关怀,显得文字有温度。

文中九篇长文中,个人觉得“贫穷的质感”“年老的隐喻”“老工党的逆袭和左派的困境”“疫情中的英国社会:最糟糕的人管制者最坏的时代”以及“寻找替罪羊之旅:英国猎巫运动一瞥”这几篇我看得兴趣最浓,每个国家和制度都有优缺点,也有“糟糕的人”和“糟糕的政策”,个人是无法选择出身在哪个时代和哪个地方的,置身于洪流中的老百姓,很大程度上靠着运气活着,最多能发出微小的力量,但是这些微光聚集于一个方向,说不定也能产生奇迹。

书摘

《贫穷的质感:王梆的英国观察》 王梆 13个笔记

◆ 贫穷的质感

在所有形容“贫穷”的英文词汇里,我觉得“dirt poor”这个词最贴切,因为“灰尘是最势利的,当你衣着光鲜它退避三舍,当你破衣烂衫它就从四面八方猛扑而来”(乔治·奥威尔语)。一个人怎么会落到“dirt poor”的境地呢?除了那些一夜之间赌光祖坟的富家孽子,“博根计划”[插图]给出了五个答案:历史成因(比如被压迫和剥削过的殖民地);战争;国债;歧视带来的资源分配不均;环境恶化和自然灾害。

斯蒂芬·阿姆斯特朗引用欧盟的数据:“1300万英国人生活在贫困之中,贫困儿童占儿童总数的五分之一。”在做了严谨的调查之后,他指出,穷人不是贫困的罪魁祸首,而是它的产物。贫困也不可能通过“自律”自愈,“紧缩”只会导向更极致的贫穷。

“你觉得我们应该怎样帮助世上那些贫苦的人?”有人问。“不要做道德审判,不要给他们扣上各种罪名。”这是史蒂文在离开演讲厅时说的最后一句话。

◆ 英国乡村纪实:当田园遇上全球垄断资本主义

常识告诉我,当你面对的人变得真实、具体,像棱镜一样具有多面性时,任何一种标签都是粗暴的。

今天,尽管有像约瑟夫·斯蒂格利茨(Joseph Stiglitz)那样的诺奖经济学家在质疑全球垄断资本主义,但在大范围内,对它的批判仍是一个禁忌。也没有多少人同情背井离乡的移民工,以及那些被战争和环境恶化逼向绝路的难民。在制度和其受害者之间选替罪羊,被选中的总是受害者。

◆ 老工党的逆袭和左派的困境

红玫瑰,我以前不曾喜爱过它,直到某日在学习英国中世纪史时得知,它原来是反抗权威的象征。

◆ 英国民间观察:附近、公共和在地的造乡

图书馆之于英国人的重要性,好比《量子论》之于爱因斯坦,“世上只有一件事,你是绝对要知道的,就是图书馆的位置”。英国人不一定知道雨伞在哪里,却肯定知道图书馆的位置,它甚至是一个心理坐标。

在《英国慈善学校运动中的慈善和穷人的政府》(“Charity and the Government of the Poor in the English Charity-School Movement”)一文中,杜伦大学的人类地理学家杰里米·施密特(Jeremy Schmid)曾这样总结道:“彼时的社团功能,并非简单地向穷人布施,它还必须得起到一个交换作用,就算换不回爱意,也要换取穷人的谦抑、服从、尊崇和感恩。通过这种交换,等级观念才能持久不衰,不同阶层之间的纽带才能得到润滑和巩固。”

分享(commoning)公共空间最大的困难之一,也许就是“如何在分享它的同时,不加进某种领地感(sense of territoriality)或不赋予其某种特定身份”了。当有人说(哪怕出于政治正确的考量,并不真正开口)“这个空间属于富人,这个空间属于穷人,或这个空间属于黑人,这个空间属于白人”时,这个空间就已经伤痕累累了。

英国文化历史学家大卫·弗莱明曾说过一番意味深长的话:“大问题并不需要大规模的解决方案,一个行动上的基本框架,外加无数微小的对策就足够了。

◆ 疫情中的英国社会:最糟糕的人管制着最坏的时代

不管执政党声称自己有多自由主义(liberalism),他们对苦难的想象力却是有限的。别说抵达那个“人们把行李顶在头上,冒着烈日,像象群一样走路回家”的印度,就是抵达他们自己的领土,恐怕都有一定困难。如果这种想象力的匮乏是天生的,如果这种匮乏又得到了至高权力的喂养,将会饲育出一个怎样的怪物呢?

◆ 寻找替罪羊之旅:英国猎巫运动一瞥

在天主教越显式微,新教改革越迅疾的地区(德意志、法国、瑞士等),猎巫运动就越猖獗。两位经济学家还嘲讽道,猎巫这种手段,今天的政客们也在广泛使用,比如共和党和民主党之类。没什么比“利用某种所谓的外来威胁,引爆民众恐慌”更有效的拉票手段了。先找出外来威胁,然后为民除害,最后再收保护费。

◆ 英国家庭史一瞥:惩罚与反叛

正如美国人类学家玛格丽特·米德(Margaret Mead)所说:“永远不要怀疑一小撮有思想和责任心的公民改变世界的能力,因为这就是一直以来正在发生的奇迹。”

艾玛

ppEWNW9.jpg

ISBN:9787559659583 作者:艾玛 出版社: 北京联合出版公司 出版时间:2022-10 阅读时间:2023.3.5 编号:480

本书的前半段内容稍微丰富和有干货一点,后面的内容更多是作者自身共读的一些回顾,当然有提供书单的作用。通篇看来共读英语这一个教育的方式非常考验领读人的教育水平和教师本身对于外语教学的经验。教师除了是教师之外还是学生的身份,在共读试验中摸索属于自己的道路。作为家长,能和孩子共读英语当然是要求最高的,其次共读母语的书,也是一个不错的选择。

书摘

20230301打卡 预计阅读:p1-20 实际阅读:序言-p14 难忘的表述:

家长对孩子的爱是真挚的,这样的爱到了现实中会发生变形…当家长给予孩子的爱变成了对学习的期待,这份爱会让孩子感到紧张,甚至气馁。(序p22-23)

我们要培养的不是会说英语的机器人,是培养善于思考和具有创造能力的人。(序p25)

我在餐桌上分享了这本书的阅读心得,劳伦和布赖恩侧耳倾听,他们的眼里闪烁着光芒,从他们那里我第一次体验到分享一本书的快乐,这种快乐把原来暗自的喜悦变成了可以言说的、更多的喜悦,你会觉得书把你变得更好了,你把书变得更有意义和价值了!(p7)

感想:劳伦和布赖恩的家庭氛围实在太好了,这种爱孩子和教育孩子的方式是正面的。

20230302打卡 预计阅读:p15-45 实际阅读:p15-49 难忘的表述:

共读的目标是通过共读式的学习,让学生走向自主阅读,并且将英语阅读作为生活和学习的方式。(p15)

牛牛让我知道捣蛋是一件有趣的事,因为戴帽子的猫就是一个大捣蛋;而且捣蛋是有价值的,因为捣蛋是儿童和现实建立连结、理解家庭和社会规则的方式。(p23)

对问题保持耐心,学会等待,不是什么都不做的那种等待,而是带着问题继续前行,这是我们应该有的学习心态。(p43)

共读是一个对话的过程,对话推动孩子复杂沟通能力的形成,语言学习需要实现的其中一个目的是培养这种能力。(p46)

20230303打卡 预计阅读:p50-70 实际阅读:p50-107 难忘的表述:

重要的人物要慢慢出现,重要的事也要慢慢出现,只有慢,它们才会镌刻到我们的心里。(p61)

最真实和美好的事物会出现在我们度过兴奋或者焦虑的情绪之后,我们需要做的是耐心等待,不要太快去评价我们刚认识的人。(p67)

Trust and help .Work hard and be nice. (p93)

学会尊重和倾听他人,这是说话重要的前提条件。(p97)

20230304打卡 预计阅读:p108-138 实际阅读:p108-149 难忘的表述:

世界上的书是看不完的,读书就好像爬楼梯,你并不需要预先设定读什么书,你只要抬脚,阶梯会出现在脚下。……当我们学会了阅读,便不再需要别人的书单,我们会有自己的书单。(p114)

我觉得紧张感是好东西,时不时做点让自己感到紧张的事,积极克服紧张感的经验,会变得越来越勇敢。(p128)

人一旦被情绪裹挟就很难理性思考,未经思考的推断会伤害所有的人。(p137)

20230305打卡 预计阅读:p150-180 实际阅读:已读完 难忘的表述:

所谓的语言环境不是仅仅存在于生活中,如果为了让孩子学会英语,需要模拟一个英语的生活环境,对大多数家庭来说是难以做到的,而且没有必要这样做,因为真实的母语环境也是非常重要的。(p193)

感想:本书的前半段内容稍微丰富和有干货一点,后面的内容更多是作者自身共读的一些回顾,当然有提供书单的作用。通篇看来共读英语这一个教育的方式非常考验领读人的教育水平和教师本身对于外语教学的经验。教师除了是教师之外还是学生的身份,在共读试验中摸索属于自己的道路。作为家长,能和孩子共读英语当然是要求最高的,其次共读母语的书,也是一个不错的选择。

bibi园长

pSOm8U0.jpg

ISBN:9787544299947 作者:bibi园长 出版社: 南海出版公司 出版时间:2021-9 阅读时间:2023.2.19 编号:479

朋友送的生日礼物(虽然离生日已经过去很久了哈哈),是小动物们的温馨相处时光,有朋友间的友谊——小心翼翼地怕打扰对方,但对方完全不觉得是打扰;有家人之间的浓浓爱意——为什么还不去睡呀?因为妈妈还没有回你也爱我呀;还有恋人间懵懂而纯洁的爱情——红色就是我和你在一起的颜色啊~如腰封所言,“随手一翻,嘴角一弯”,生活之中微小的爱意,会让人得以坚持,感受到温暖吧。

[法]菲利浦·瓦莱特 编绘

pS29KGq.jpg

ISBN:9787535697967 原作名:Jean Doux et le mystère de la Disquette Molle 作者:[法]菲利浦·瓦莱特 编绘 译者:切分une 出版社: 湖南美术出版社 出版时间:2022-9 阅读时间:2023.2.7 编号:478

一本还有点分量的,页数蛮多的四格漫画,讲述了普通公司职员的主角在偶然之间得到了一个软盘,接着和他的同伴一起破译软盘的秘密,并最终拯救公司的故事。

剧情紧凑,绘画风格也很别致,人物设计越看越顺眼,而且很有特色,是一个蛮适合改编成电影的漫画故事。

故事设定在90年代,而他们所破译的软盘则是在70年代末,80年代的时候。只有256 kb容量大小的软盘,我印象中在小时候,学校的电脑是可以读这种3.5英寸的软盘的,后面电脑逐渐变化成了连光驱都没有了。现在的科学技术在不断的发展,所以偶尔看到故事里面存在以前曾经存在过的事物,还是会有亲切感。

值得推荐的!

pS29MR0.jpg

IMOGEN and ISABEL GREENBERG

pSy8IsJ.jpg

ISBN:9781526625700 作者:IMOGEN and ISABEL GREENBERG 出版社:BLOOMSBURY 出版时间:2022 阅读时间:2023.1.31-2.4 编号:477

在猫头鹰书店的共读第一次阅读英文绘本,感觉还不错,64页的篇幅不长,如果是中文一下子就能看完了,因为是英文,所以当遇到不认识的英文单词,需要停下来查阅,导致阅读的进度比较缓慢,但也正因为如此,更加能感受到这个故事的魅力。

故事讲述大地之母盖亚创造地球和地球上的生灵,可是她的丈夫、儿子跟孙子确为这个世界带来了很多灾难,教会了人类各种的战争。盖亚为了挽救自己创造出来的地球,曾与宙斯发动战争,可这令情况变得更加糟糕,大地生灵涂炭。最终她创造出了正义三女神和命运三女神,与她们一起为拯救这个世界作出努力。 故事的前半阶段,神与神之间的夺位和争斗也描绘得十分生动和出色,特别是配上了三位命运女神看故事般的吐槽,更显得别开生面。画风粗看之下感觉有点粗糙,其实不是我喜欢的类型,但是看着看着也觉得蛮可爱的。但我不太习惯这种英文字体,因为我经常把t跟l这两个字母搞混,搞混之后呢单词的意思就看不懂了,这也导致了有些句子也要多看好几遍才看得懂,所以说虽然是绘本,但是对于不是经常阅读英文书籍的人(我啦)来说还是有一点点难度的。

附上一张上年看《多莱尔的希腊神话书》时画的关系图: pSy85M4.jpg